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A lecture by Professor Marco Giamello at the Art Institute of Chicago, Fri., Oct. Stone's research focused on using RTI on Paul Gauguin's prints to better understand his process during their creation.
Prominent Bauhaus artist László Moholy-Nagy (1895-1945) employed a large number of techniques and materials in his artwork, including many newly-developed industrial plastics.
Lindsay Oakley is a Northwestern University graduate student working in the Netherlands this summer as part of a NSF sponsored International Research Experience for Students (IRES) focused on investigating questions in cultural heritage science.
She discusses the science behind aging works of art and how the masterpieces we encounter are not usually identical to how the artist viewed them years ago.
Several of the historical colored pigments from the late 1800 and early 1900 are undergoing an irreversible degradation process.
That's why Clara Granzotto, a visiting fellow at NU-ACCESS, recently created a new technique to learn which mediums the twentieth century artist, Georges Braque, used for his painting, “Ajax.” Observations and studies of masterpieces of Tuscan sculptors: The David of Michelangelo and the Triptych by Tino di Camaino. Carla Stone, a Golden Apple 6th grade Science and Social Studies teacher at Martin Luther King Literary and Fine Arts School in Evanston, shares her summer experience with the Research Experience for Teachers program at Northwestern University.
In the end, there are some pieces of art whose authenticity remains inconclusive, indicating that even the objectivity of science can struggle to give a straight answer.
Dating the vast number of bronze sculptures created by the prolific artist, Auguste Rodin, widely considered the father of modern sculpture, poses a challenge for museums worldwide.
Walton and Casadio co-organized "Analyzing Picasso: Scientific Innovation, Instrumentation, and Education" using the scientific investigation of Picasso's works as a lens for demonstrating how art can improve the human condition and spark innovation in science and engineering.
At the special event hosted by the Block Museum, archaeologists, art historians, scientists and scholars of the ancient world shared their scientific insights into the Roman history and portraiture related to the exhibition "Paint the Eyes Softer: Mummy Portraits from Roman Egypt." Launched in Spring 2016, Dr.
Marcie Wiggins is participating in the NSF-funded International Research Experience for US Students (IRES) this summer in the Netherlands.